Konferencja międzynarodowa: INTERAKCJA I KREACJA. DRUK 3D JAKO NARZĘDZIE KREATYWNYCH ROZWIĄZAŃ W SZTUKACH WIZUALNYCH – KONTEKSTY | International conference: INTERACTION AND CREATION. 3D PRINTING AS A TOOL FOR CREATIVE SOLUTIONS IN VISUAL ARTS – CONTEXTS
PATRONAT HONOROWY | HONORARY PATRONAGE
Jego Magnificencja
Rektor Akademii Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
His Magnificence
Rector of the Eugeniusz Geppert Academy of Art and Design
prof. dr hab. | Full Professor Wojciech PUKOCZ
RADA NAUKOWA | SCIENTIFIC COUNCIL
Prof. dr hab. | Full Professor Maciej MANIKOWSKI
Uniwersytet Wrocławski, Wydział Nauk Społecznych Instytut Filozofii, Zakład Antropologii Filozoficznej | University of Wroclaw, Faculty of Social Sciences, Institute of Philosophy,
Department of Philosophical Anthropology
Kierownik Pracowni Studiów nad Religiami Instytutu Filozofii Uniwersytetu Wrocławskiego | Head of the Religious Studies Laboratory at the Institute of Philosophy at the University of Wrocław
Professore | D. Sc. Eng. Arch., Associate Professor Antonino MARGAGLIOTTA
Università degli Studi di Palermo, Facoltà di Ingegneria, Dipartimento di Architettura | The University of Palermo, Faculty of Engineering, Department of Architecture
Profesor kompozycji architektonicznej i urbanistycznej na Uniwersytecie w Palermo, koordynator studiów magisterskich w zakresie inżynierii budowlanej – architektura | Professor of Architectural and Urban Composition at the University of Palermo, coordinator
of the Degree Course in Building Engineering – Architecture
dr hab., prof ASP | PhD (Fine Arts) Hab., University Professor Grzegorz NIEMYJSKI
Akademia Sztuk Pięknych in. Eugeniusza Gepperta we Wrocławiu, Wydział Rzeźby i Mediacji Sztuki | The Eugeniusz Geppert Academy of Art and Design in Wroclaw, Faculty of Sculpture and Art Mediation
Dziekan Wydziału Rzeźby i Mediacji Sztuki | Head of the Faculty of Sculpture and Art Mediation
dr hab. inż. arch., prof. PP | D. Sc. Eng. Arch., University Professor Dominika PAZDER
Politechnika Poznańska, Wydział Architektury, Instytut Architektury i Planowania Przestrzennego | The Poznan University of Technology, Faculty of Architecture, Institute of
Architecture and Urban Planning
Prowadzi badania nad odnową obszarów śródmiejskich, powiązaniami aspektów przestrzennych i społecznych rewitalizacji, a także innowacyjnymi metodami waloryzacji
przestrzeni miejskiej | Conducts research on the renewal of inner-city areas, spatial and social aspects of city space regeneration, as well as the search for innovative methods of
urban space valuation.
dr hab., prof ASP | PhD (Fine Arts) Hab., University Professor Michał STASZCZAK
Akademia Sztuk Pięknych in. Eugeniusza Gepperta we Wrocławiu, Wydział Rzeźby i Mediacji Sztuki, Katedra Technik Rzeźbiarskich | The Eugeniusz Geppert Academy of Art and Design in Wroclaw, Faculty of Sculpture and Art Mediation, Department of Sculptural Techniques
Prorektor ds. współpracy z zagranicą i promocji | Vice-Rector for Foreign Cooperation and Promotion
Professor titular d’Universitat | Full Professor Albert VALERA GARCIA
Universitat de Barcelona, Facultat de Belles Arts, Departament d’Arts Visuals i Disseny | University of Barcelona, Faculty of Fine Arts, Department of Visual Arts and Design
Prowadzi badania procesów artystycznych i nowych technologii | Conducts research into artistic processes and new technologies
Professora agregada (SHP) | PhD (Fine Arts), Associate Professor Àngels VILADOMIU
Universitat de Barcelona, Facultat de Belles Arts, Departament d’Arts Visuals i Disseny | University of Barcelona, Faculty of Fine Arts, Department of Visual Arts and Design
Prowadzi badania procesów artystycznych i nowych technologii | Conducts research into artistic processes and new technologies
KOMITET ORGANIZACYJNY | ORGANIZING COMMITTEE
dr | PhD (Fine Arts) Monika ALEKSANDROWICZ
Akademia Sztuk Pięknych in. Eugeniusza Gepperta we Wrocławiu, Wydział Rzeźby i Mediacji Sztuki, Katedra Mediacji | The Eugeniusz Geppert Academy of Art and Design in Wroclaw,
Faculty of Sculpture and Art Mediation, Department of Art Mediation Kierownik Katedry Mediacji Sztuki | Head of the Department of the Art Mediation
dr hab. | PhD (Fine Arts) Hab. Małgorzata KACZMARSKA
Akademia Sztuk Pięknych in. Eugeniusza Gepperta we Wrocławiu, Wydział Rzeźby i Mediacji Sztuki, Katedra Mediacji | The Eugeniusz Geppert Academy of Art and Design in Wroclaw,
Faculty of Sculpture and Art Mediation, Department of Art Mediation Prowadzi badania procesu twórczego i kontekstu przestrzennego dzieła sztuki | Conducts research on the creative process and the spatial context of a work of art
PARTNERZY | PARTNERS
3dArtech
ARTEÏA
CadXpert | Systemy Druku 3D
Dolnośląski Inkubator Druku 3D we Wrocławiu
IDEA
Art and science can be seen as complementary methods of interpreting the world, and in their mutual relations they can also serve as a cognitive tool. Artistic pursuits at the crossroads of various scientific disciplines, and often in cooperation with representatives of technical, natural, social and human sciences, touch upon problems related to the challenges of modern civilization. Contemporary art often has a mediating character – between scientific investigation, an experiment generated by new technologies, and social reception and adaptation. Creative use of technical media, when dealing with an artistic process of investigative nature, has an impact on expanding the boundaries of human perception, experience, and knowledge.
The starting point for this conference’s considerations is the growing use of 3D printing technology in artistic practice. Artists quickly adapt the newly emerging possibilities by using them directly or by modifying the tool – then, the field of the experiment can lie in either machine, or matter, or software. Artists from various fields of fine arts resort to 3D printing technology. Oftentimes this very method, creatively used by the artist, is the best solution in research projects of significant practical importance.
One of the aspects related to the digital recording of a work is its authenticity and unambiguous attribution of the author’s copyrights, coupled with the possibility of accessing the work on the Internet, displaying and collecting it in either the digital format or, after printing, in the analogue format. Property rights require similar unambiguity.
The option of ending the process of the work’s creation at the digital stage, without affecting the potential analogue effect (because, ultimately, the work may or may not be materialized) is of great importance in the context of an ecological approach to the creation and circulation of art, and it also has an ethical dimension. The aspect of production and overproduction is also increasingly discussed in the circles of experts dealing with contemporary art.
