dr | PhD (Philosophy)<\/p>\n
Polska | Poland<\/p>\n
<\/p>[\/et_pb_text][et_pb_accordion _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_accordion_item title=”BIO” open=”on” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]
[PL]\u00a0<\/strong>Jacek Roma\u0144ski \u2013 doktor filozofii, absolwent UJ, zajmuje si\u0119 wsp\u00f3\u0142czesn\u0105 my\u015bl\u0105 francusk\u0105. Autor artyku\u0142\u00f3w m.in. \u201eNiepewno\u015b\u0107 istnienia. Michaela Foucaulta studia nad cz\u0142owiekiem\u201d,<\/p>\n \u201eNie\u015bwiadomo\u015b\u0107 a barokowa wizja \u015bwiata wed\u0142ug Gillesa Deleuze\u2019a\u201d, \u201dAnarchia nieprzedstawialnego. O materializmie u Diderota i De Sade\u2019a\u201d.\u00a0 Redaktor i wsp\u00f3\u0142autor ksi\u0105\u017cki \u201eNa Prze\u0142omie – 25 lat seminarium filozoficznego\u201d.\u00a0 Jego zainteresowania naukowe oscyluj\u0105 na pograniczu ontologii i estetyki. Obecnie pracuje nad przybli\u017ceniem polskiemu czytelnikowi filozofii Michela Serresa. Cz\u0142onek Polartu.<\/p>\n [ENG]\u00a0<\/strong>Doctor of Philosophy, graduate of the Jagiellonian University, deals with contemporary French thought. Author of articles such as: \u201cUncertainty of Existence. Michael Foucault\u2019s Studies on Man\u201d, \u201cUnconsciousness and the Baroque Vision of the World According to Gilles Deleuze\u201d, \u201cThe Anarchy of the Unrepresentable. On Materialism in Diderot and De Sade.\u201d Editor and co-author of the book \u201cAt the Breakthrough – 25 Years of the Philosophy Seminar.\u201d His scientific interests oscillate between ontology and aesthetics. Currently working on bringing the philosophy of Michel Serres closer to the Polish reader. Member of Polart.<\/p>[\/et_pb_accordion_item][et_pb_accordion_item title=”Abstrakt” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content” open=”off”] [PL]\u00a0<\/strong>Celem wyst\u0105pienia b\u0119dzie poruszenie kilku istotnych z punktu widzenia filozofii problem\u00f3w, sk\u0142adaj\u0105cych si\u0119 na podstawowe zagadnienie zwi\u0105zane z pytaniem o to, co jest przedmiotem sztuki, czy bardziej uszczeg\u00f3\u0142awiaj\u0105c jaki jest jego status. Pole dzia\u0142alno\u015bci artystycznej skupione wok\u00f3\u0142 szerokorozumianego druku tr\u00f3jwymiarowego zdaje si\u0119 stanowi\u0107 zar\u00f3wno inspiracje jak i dobry punkt wyj\u015bcia dla powy\u017cszych pyta\u0144. Tym bardziej celowa zdaje si\u0119 pr\u00f3ba zbadania w jakim zakresie m\u00f3g\u0142by on stanowi\u0107 pr\u00f3b\u0119 skonstruowania na nie odpowiedzi w ramach w\u0142a\u015bciwego dla tego kierunku w sztuce wsp\u00f3\u0142czesnej j\u0119zyka.<\/p>\n Pierwszym z interesuj\u0105cych mnie w tym kontek\u015bcie aspekt\u00f3w b\u0119dzie zawarta w tego typu artefaktach tendencja do powielania, multiplikacji, obejmuj\u0105ca zar\u00f3wno wirtualny model 3D, wydruk jak r\u00f3wnie\u017c sam algorytm i jego no\u015bnik. Korelacj\u0119 tych sk\u0142adaj\u0105cych si\u0119 na dzie\u0142o element\u00f3w om\u00f3wi\u0119 w odniesieniu do sytuacji poznawczo percepcyjnej zar\u00f3wno tw\u00f3rcy jak i odbiorcy. Postaram si\u0119 r\u00f3wnie\u017c ukaza\u0107 perspektywy poznawcze, kt\u00f3re otwieraj\u0105 si\u0119 wraz z postulatem ograniczania materializacji dzie\u0142a np. w plastiku na rzecz jego aktualizacji w \u015bwiecie wirtualnym oraz uwypukli\u0107 wynikaj\u0105ce z tego ograniczenia.<\/p>\n \u00a0W nast\u0119pnej kolejno\u015bci porusz\u0119 tematyk\u0119 odtw\u00f3rczego charakteru wydruku, kt\u00f3ry uwidacznia si\u0119 zar\u00f3wno w sieci intertekstualnych powi\u0105za\u0144, jak r\u00f3wnie\u017c na p\u0142aszczy\u017anie ontologicznej.<\/p>\n [ENG]\u00a0<\/strong>The aim of the talk will be to address several problems, relevant from the philosophy point of view, which are comprised in the basic issue related to the question of what the object of art is, or, more specifically what its status is. The field of artistic activity focused around broadly understood three-dimensional printing seems to be both an inspiration and a good starting point for the above questions. All the more purposeful seems the endeavour to examine to what extent it might constitute an attempt to answer them within the framework of the language apt for this direction in contemporary art.<\/p>\n The first aspect of my interest in this context will be the tendency for replication and multiplication contained in this type of artefacts, including both the virtual 3D model – the printout, as well as the algorithm itself and its carrier. I will discuss the correlation of these constituent elements in relation to the cognitive-perceptual situation of both the creator and the viewer. I will also try to show the cognitive perspectives that open up along with the postulate of restraining the materialization of the work, e.g. in plastic, in favour of its actualization in the virtual world, and highlight the resulting limitations.<\/p>\n Next, I will touch upon the reproductive character of the printout, which manifests itself both in the network of intertextual connections as well as ontologically.<\/p>\n Finally, I will systematize the conclusions in order to show the original essential features of artworks created with 3D printing technology.<\/strong><\/p>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n\n","protected":false},"excerpt":{"rendered":" Jacek ROMA\u0143SKI dr | PhD (Philosophy) Polska | Poland Drukuj\u0105c idee, drukuj\u0105c przedmioty \u2013 ontologiczna analiza dzie\u0142 sztuki stworzonych z wykorzystaniem wydruku 3D | Printing ideas, printing objects \u2013 an ontological analysis of artworks created with 3D printing [PL]\u00a0Jacek Roma\u0144ski \u2013 doktor filozofii, absolwent UJ, zajmuje si\u0119 wsp\u00f3\u0142czesn\u0105 my\u015bl\u0105 francusk\u0105. Autor artyku\u0142\u00f3w m.in. \u201eNiepewno\u015b\u0107 istnienia. 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