profesor zwyczajny | Full Professor Polska | Poland<\/p>\n <\/p>[\/et_pb_text][et_pb_accordion _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_accordion_item title=”BIO” open=”on” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”] [PL] <\/strong>Aleksander J\u00f3zef Olszewski, ur.1944 w Radomiu, studia ASP \u0141\u00f3d\u017a (pracownia Lecha Kunki), profesor zwyczajny. Tw\u00f3rca i pierwszy Dziekan Wydzia\u0142u Sztuki Uniwersytetu Technologiczno-Humanistycznego w Radomiu. Za\u0142o\u017cyciel Galerii Rogatka, Pentagon oraz rocznika Wydzia\u0142u Sztuki Arteria i jego pierwszy redaktor naczelny.\u00a0 Tworzy w oparciu o w\u0142asny system nazwany Morfoizmem. Pracuje cyklami odnosz\u0105cymi si\u0119 do r\u00f3\u017cnych zagadnie\u0144 plastycznych. Aktualnie prowadzi Galeri\u0119 Laboratorium \u201eSystem\u201d w Radomiu.<\/p>\n [ENG]\u00a0<\/strong>Aleksander J\u00f3zef Olszewski, born 1944 in Radom, studied at the Academy of Fine Arts in Lodz (studio Lech Kunka), full professor. Founder and first Dean of the Faculty of Art at the University of Technology and Humanities in Radom. Founder of \u201cRogatka Gallery\u201d, \u201cPentagon\u201d and the annual magazine of the Faculty of Art \u201cArteria\u201d and its first editor-in-chief.\u00a0 Creates on the basis of his own system called Morphoism. He works in cycles referring to various artistic issues. At present he runs the Laboratory Gallery “System” in Radom.<\/p>[\/et_pb_accordion_item][et_pb_accordion_item title=”Abstrakt” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content” open=”off”] [PL]\u00a0<\/strong>Grafika cyfrowa, rysunek cyfrowy, malarstwo cyfrowe, rze\u017aba cyfrowa, dyzajn ci\u0105gle walcz\u0105 o miejsce w obszarze technik klasycznych, ale r\u00f3wnie\u017c w programach dydaktycznych. W moim za\u015b przekonaniu istotniejsz\u0105 kwesti\u0105 jest my\u015bl, a spraw\u0105 wt\u00f3rn\u0105 co zostawia \u015blad linii, plamy, palec na piasku, skale, \u015blad w\u0119gla, grafitu, kredki, tuszu, itd.<\/p>\n Pierwszy komputer kupi\u0142em na pocz\u0105tku lat 90-tych, a wraz z nim drukark\u0119 ig\u0142ow\u0105 kolorow\u0105 oraz kamer\u0119 cyfrow\u0105 i r\u0119czny skaner. Z takim to wyposa\u017ceniem rozpocz\u0105\u0142em pasjonuj\u0105ce mnie do dzisiaj zmagania ze \u015bwiatem sztuki cyfrowej. W technice cyfrowej szukam takiej formy plastycznej, kt\u00f3ra nie imitowa\u0142aby technik tradycyjnych.<\/p>\n Ostatnie osi\u0105gni\u0119cia dotycz\u0105ce sprz\u0119tu komputerowego i oprogramowania powoduje coraz wi\u0119ksz\u0105 liczb\u0119 mo\u017cliwych zastosowa\u0144. Z techniki komputerowej korzysta wiele dziedzin \u017cycia gospodarczego i spo\u0142ecznego, kulturalnego. Trudno wskaza\u0107 profesj\u0119 czy obszar \u017cycia spo\u0142ecznego, gdzie nie m\u00f3g\u0142by by\u0107 stosowany komputer. Do tej pory projektowanie by\u0142o traktowane jako osobista, tw\u00f3rcza praca. Okazuje si\u0119 jednak cz\u0119sto, \u017ce w gruncie rzeczy opiera si\u0119 ona na kolejnym udoskonaleniu jakiej\u015b \u201eformy bazowej\u201d algorytmu czy formy w og\u00f3le. I tu okazuje si\u0119, \u017ce komputer jest nie do zast\u0105pienia. Obraz ekranowy jest no\u015bnikiem i zarazem medium, przekazywania informacji, a wsp\u00f3\u0142czesny sprz\u0119t komputerowy daje du\u017ce mo\u017cliwo\u015bci wykorzystania tego \u015brodka.<\/p>\n [ENG]\u00a0<\/strong>Digital graphics, digital drawing, digital painting, digital sculpture, design are constantly fighting for a place in the field of classical techniques, but also in teaching programs. In my opinion, the more important issue is thought, and a secondary matter what leaves a trace of lines, stains, a finger on the sand, rock, a trace of carbon, graphite, crayons, ink, etc.<\/p>\n I bought my first computer in the early 90’s and with it a dot matrix color printer, digital camera and handheld scanner. With such equipment, I started my struggles with the world of digital art, which are fascinating to me until today. In digital technology, I am looking for an artistic form that would not imitate traditional techniques.<\/p>\n Recent advances in computer hardware and software result in an increasing number of possible applications. Computer technology is used in many areas of economic, social and cultural life. It is difficult to indicate a profession or area of \u200b\u200bsocial life where a computer could not be used. Until now, design has been treated as personal, creative work. It often turns out, however, that it is essentially based on a further refinement of some “base form” of an algorithm or form in general. And here it turns out that the computer is irreplaceable. Screen image is both a medium and a medium for transmitting information, and modern computer equipment offers great opportunities to use this means.<\/p>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":" Aleksander J\u00f3zef OLSZEWSKI profesor zwyczajny | Full ProfessorUniwersytet Technologiczno-Humanistyczny im. Kazimierza Pu\u0142askiego w Radomiu | Kazimierz Pulaski University of Technology and Humanities in Radom Polska | Poland Algorytm a technologia | Algorithm versus technology [PL] Aleksander J\u00f3zef Olszewski, ur.1944 w Radomiu, studia ASP \u0141\u00f3d\u017a (pracownia Lecha Kunki), profesor zwyczajny. Tw\u00f3rca i pierwszy Dziekan Wydzia\u0142u Sztuki […]<\/p>\n","protected":false},"author":1,"featured_media":245,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[65,61,60,64,66,62,59,63],"project_tag":[],"class_list":["post-554","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-algorithm","project_category-algorytm","project_category-analiza","project_category-analysis","project_category-digital-printing","project_category-druk-cyfrowy","project_category-permutacja","project_category-permutation"],"_links":{"self":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project\/554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":3,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project\/554\/revisions"}],"predecessor-version":[{"id":682,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project\/554\/revisions\/682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/media\/245"}],"wp:attachment":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/media?parent=554"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project_category?post=554"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project_tag?post=554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Uniwersytet Technologiczno-Humanistyczny im. Kazimierza Pu\u0142askiego w Radomiu | Kazimierz Pulaski University of Technology and Humanities in Radom<\/strong><\/p>\n<\/h4>\n
Algorytm a technologia | Algorithm versus technology<\/strong><\/h4>\n