[et_pb_section fb_built=”1″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=7iZozDSvGcA” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
P\u00f3s-doutorada em Media Art; Doutora em Ci\u00eancias da Comunica\u00e7\u00e3o | Post-doctorate in Media Art, PhD in Communication Sciences <\/p>\n [\/et_pb_text][et_pb_accordion _builder_version=”4.17.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_accordion_item title=”BIO” open=”off” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [PL]\u00a0<\/strong>Rosangella Leote mieszka w S\u00e3o Paulo w Brazylii. Jest artystk\u0105 multimedialn\u0105\/badaczem; doktorem habilitowanym sztuki medi\u00f3w (Universidade Aberta \u2013 Lizbona \u2013 Portugalia); doktorem nauk o komunikacji (USP); magistrem sztuk pi\u0119knych (UNICAMP) i licencjatem sztuki pi\u0119knych (UFRGS). Jest dyrektorem Podyplomowego Programu Sztuki w Instytucie Sztuki, Universidade Estadual Paulista Julio de Mesquita Filho \/ State University of Sao Paulo (UNESP). Jest dyrektorem GIIP – International and Inter-Institutional Group of Research on Art, Science and Technology” [Mi\u0119dzynarodowej i Mi\u0119dzyinstytucjonalnej Grupy Bada\u0144 nad Sztuk\u0105, Nauk\u0105 i Technik\u0105] zarejestrowanej w CNPq i certyfikowanej przez UNESP (State University of Sao Paulo). Obecnie jej badania dotycz\u0105 multisensoryczno\u015bci i multimodalno\u015bci opartej na teoriach neuronauki, w tym tak\u017ce technologii upo\u015bledzenia dla sztuki. Tworzy performances, rze\u017aby d\u017awi\u0119kowe i inne prace interaktywne, niekt\u00f3re z nich w druku 3d. Od powstania SCIArts-Interdisciplinary (1995) jest cz\u0142onkiem tego zespo\u0142u. Otrzyma\u0142a nagrody i posiada liczne publikacje w reprezentowanej przez siebie dziedzinie, jak na przyk\u0142ad ksi\u0105\u017cka \u201eARTECI\u0179NCIARTE\u201d (UNESP\/2015). Wsparcie finansowe bada\u0144: CNPq\/BR.<\/p>\n [ENG]\u00a0<\/strong>Rosangella Leote lives in S\u00e3o Paulo, Brazil. She is a multimedia artist\/researcher; Posdoctorated in Media Art (Universidade Aberta – Lisbon – Portugal); Phd in Communication Sciences by USP; Master of Arts (UNICAMP) and graduation in Arts (UFRGS). She is director of Postgraduate Program in Arts at Arts Institute, Universidade Estadual Paulista Julio de Mesquita Filho \/ State University of Sao Paulo (UNESP). Is the director of GIIP – “International and Inter-Institutional Group of Research on Art, Science and Technology” registered in CNPq and certified by UNESP. Currently her research is about multisensoriality, and multimodality based on neuroscience theories, also including handicap technologies for arts. She acts and direct performances, do sound sculptures and other interactive works, some of them in 3d printing. She is part of the SCIArts-Interdisciplinary team, which is a member since its starting (1995). Has awards and several publications in the area as the book \u201cARTECI\u00caNCIARTE\u201d (UNESP\/ 2015). Research financial support: CNPq\/BR.<\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Abstrakt” _builder_version=”4.17.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” open=”on” sticky_enabled=”0″]<\/p>\n [PL]\u00a0<\/strong>W tym wyst\u0105pieniu przedstawi\u0119 cz\u0119\u015b\u0107 moich bie\u017c\u0105cych bada\u0144, wspieranych przez CNPq (BR), skupiaj\u0105cych si\u0119 na sztuce i zr\u00f3wnowa\u017conym rozwoju, podkre\u015blaj\u0105c zastosowania plastiku w pracach artystycznych. U\u017cycie plastiku jest obecnie delikatn\u0105 kwesti\u0105 na \u015bwiecie, dlatego w tym projekcie poruszono niekt\u00f3re rodzaje materia\u0142\u00f3w, kt\u00f3re mo\u017cna wykorzysta\u0107 w produkcji rze\u017ab i interaktywnych instalacji drukowanych w ca\u0142o\u015bci lub cz\u0119\u015bciowo w 3D. Ma to na celu zademonstrowa\u0107, \u017ce istniej\u0105 sposoby drukowania w bioplastikach przy minimalnym wp\u0142ywie na \u015brodowisko.<\/p>\n Arty\u015bci pracuj\u0105cy z technologi\u0105 komputerow\u0105 maj\u0105 trudno\u015bci z drastycznym odej\u015bciem od u\u017cywania produkt\u00f3w przemys\u0142owych, kt\u00f3re s\u0105 szkodliwe dla przyrody. Sprawdzi\u0142am, \u017ce istniej\u0105 pewne mo\u017cliwo\u015bci zmniejszenia wyrz\u0105dzonych Naturze szk\u00f3d. Istniej\u0105 dwa g\u0142\u00f3wne rodzaje tworzyw sztucznych: tworzywa termoplastyczne i polimery termoutwardzalne. W obecnej fazie bada\u0144 w pierwszej kolejno\u015bci skupiam si\u0119 na drukowaniu za pomoc\u0105 PLA (polilaktyd), kt\u00f3ry jest bioplastikiem. Wykonany jest z ro\u015blin, jest biodegradowalny, biokompatybilny i \u2013 nale\u017c\u0105c do klasy termoplast\u00f3w \u2013 w pe\u0142ni nadaj\u0105cy si\u0119 do recyklingu. Drugim celem jest u\u017cycie materia\u0142\u00f3w, kt\u00f3re maj\u0105 pewn\u0105 skal\u0119 przyjazno\u015bci, takich jak niekt\u00f3re rodzaje silikonu i akrylu. Istniej\u0105 nowe procesy uprzemys\u0142owienia i degradacji tych materia\u0142\u00f3w, kt\u00f3re maj\u0105 szans\u0119 sta\u0107 si\u0119 kompatybilnymi z wytycznymi dotycz\u0105cymi zr\u00f3wnowa\u017conego rozwoju. Ten projekt obejmuje moj\u0105 artystyczn\u0105 i teoretyczn\u0105 produkcj\u0119 w d\u0142ugofalowym projekcie pod nazw\u0105 \u201eViridium\u201d. W tym projekcie wykonuj\u0119 rze\u017aby i instalacje interaktywne, kt\u00f3re s\u0105 obiektami p\u00f3\u0142przezroczystymi i p\u00f3\u0142autonomicznymi, posiadaj\u0105 mechanizmy kontrolowane przez otwart\u0105 technologi\u0119, zar\u00f3wno sprz\u0119tow\u0105, jak i programow\u0105. Procedury s\u0105 transdukcj\u0105 mi\u0119dzy tw\u00f3rczo\u015bci\u0105 artystyczn\u0105 \u2013 technologi\u0105 i poetyk\u0105 \u2013 a interdyscyplinarnym pog\u0142\u0119bianiem teoretycznym. Przedstawiono podstawy bada\u0144 z powi\u0105zaniami biologii, teorii system\u00f3w z\u0142o\u017conych (zr\u00f3wnowa\u017cony rozw\u00f3j, biomimetyka, obliczenia naturalne i ekologia) oraz teori\u0105 ewolucji. Technologia jest stosowana za koncepcjami i praktykami zwi\u0105zanymi z tzw. \u201cmaker culture\u201d oraz moim do\u015bwiadczeniem z drukiem 3d.<\/p>\n [ENG]\u00a0<\/strong>In this speech I will present a part of my ongoing research, which is supported by CNPq (BR), it focuses on Art and Sustainability, highlighting on the uses of plastic in artistic works. The use of plastic is a delicate issue in the world now, so raised in this project are some types of materials that can be used in the production of sculptures and interactive installations printed totally or partially in 3D. It seeks to demonstrate that there are ways to print in bioplastic, with minimal environmental impact.<\/p>\n Anyway, there are difficulties for artists that work with computer technology, to drastically move away from the use of industrial products that are harmful to nature. I have already verified that there are some options for reducing damage to Nature. There are two main types of plastics: thermoplastics and thermosetting polymers. In the current phase of this investigation, the first focus is printing with PLA (Polylactic Acid), which is a bioplastic. It is made from plants, biodegradable, biocompatible and fully recyclable, being in the class of thermoplastic. The second focus is the use of materials that have a certain scale of friendliness, such as certain types of silicon and acrylic. There are new processes to industrialize and degrade these materials which have prospects of becoming compatible with a sustainable guideline. This project involves my artistic and theoretical production in a long-term project, named \u201cViridium\u201d. In this project I have been making sculptures and interactive installations that are translucent and semi-autonomous objects, they have mechanisms that are controlled by open technology, both hardware and software. The procedures are a transductive between artistic creation \u2013 technology and poetics \u2013 and interdisciplinary theoretical deepening. The research grounds are presented with links between Biology, Complex Systems theories (Sustainability, Biomimetics, Natural Computing and Ecology), and the theory of Evolution. The technology is applied from concepts and practices involved in the so-called \u201cmaker culture\u201d and my experience with 3d printing.<\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Rosangella LEOTE P\u00f3s-doutorada em Media Art; Doutora em Ci\u00eancias da Comunica\u00e7\u00e3o | Post-doctorate in Media Art, PhD in Communication SciencesUniversidade Estadual Paulista “J\u00falio de Mesquita Filho” (UNESP) | S\u00e3o Paulo State University “Julio de Mesquita Filho” (UNESP), Brazil Sztuka i zr\u00f3wnowa\u017cony rozw\u00f3j w druku 3D | Art and Sustainability in 3D Printing [PL]\u00a0Rosangella Leote mieszka […]<\/p>\n","protected":false},"author":1,"featured_media":454,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[52,44,49,48,43,50,45,51,46,47],"project_tag":[],"class_list":["post-453","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-art-and-sustainability","project_category-bioinspiracja","project_category-bioinspiration","project_category-biomimicry","project_category-biomimikra","project_category-bioplastic","project_category-bioplastik","project_category-interactive-sculpture","project_category-rzezba-interaktywna","project_category-sztuka-i-zrownowazony-rozwoj"],"_links":{"self":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project\/453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":5,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project\/453\/revisions"}],"predecessor-version":[{"id":687,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project\/453\/revisions\/687"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/media\/454"}],"wp:attachment":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/media?parent=453"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project_category?post=453"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project_tag?post=453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Universidade Estadual Paulista “J\u00falio de Mesquita Filho” (UNESP) | S\u00e3o Paulo State University “Julio de Mesquita Filho” (UNESP), Brazil<\/strong><\/p>\n<\/h4>\n
Sztuka i zr\u00f3wnowa\u017cony rozw\u00f3j w druku 3D | Art and Sustainability in 3D Printing<\/strong><\/h4>\n