dr hab., prof. ASP | PhD in Fine Arts, University Professor <\/p>[\/et_pb_text][et_pb_accordion _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_accordion_item title=”BIO” open=”on” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}”] [PL]<\/strong> Adam Abel jest artyst\u0105 multimedialnym, absolwentem Wydzia\u0142u Ceramiki i Szk\u0142a wroc\u0142awskiej Akademii Sztuk Pi\u0119knych. Jego artystyczne dzia\u0142ania maj\u0105 charakter interdyscyplinarny. Jako tw\u00f3rca zajmuje si\u0119 rze\u017ab\u0105 w tworzywie ceramicznym i sztuk\u0105 cyfrowych medi\u00f3w. Od 1997 zwi\u0105zany jest z macierzyst\u0105 uczelni\u0105. W 2005\/2006 obj\u0105\u0142 stanowisko \u201einvited professor\u201d na Uniwersytecie Kyung Hee w Korei Po\u0142udniowej. [ENG]<\/strong> Adam Abel is a Polish multimedia artist. He graduated in ceramic design from the Academy of Art and Design in Wroclaw . His activities are interdisciplinary. As an artists he deals with ceramic sculpture and digital media art. He has been part of his alma mater since 1997. [PL]<\/strong> Wiele os\u00f3b fascynuje si\u0119 nowymi mo\u017cliwo\u015bciami jakie daje technologia druku 3D, postrzegaj\u0105c j\u0105 poprzez pryzmat urz\u0105dze\u0144 , za pomoc\u0105 kt\u00f3rych mo\u017cna zmaterializowa\u0107 dowolny tr\u00f3jwymiarowy kszta\u0142t. Jednak w tym zachwycie umyka istotny fakt, \u017ce \u017ar\u00f3d\u0142o tw\u00f3rczych mo\u017cliwo\u015bci nie tkwi w samym urz\u0105dzeniu, a w oprogramowaniu dzi\u0119ki, kt\u00f3remu mo\u017cna nie tylko wytworzy\u0107 cyfrowy model, ale r\u00f3wnie\u017c operowa\u0107 jego cyfrow\u0105 struktur\u0105 jako medium. Ju\u017c w 2011 roku Lev Manovich w swoim eseju \u201eTylko software\u201d zwr\u00f3ci\u0142 uwag\u0119 na uzale\u017cnienie osi\u0105ganych rezultat\u00f3w od funkcji jakie udost\u0119pniane s\u0105 u\u017cytkownikom aplikacji, kt\u00f3re po\u015brednio narzucaj\u0105 zakres operacji mo\u017cliwych do wykonania. Okre\u015blaj\u0105c ten stan jako \u201euwi\u0119zienie w softwerze\u201d zach\u0119ca\u0142 do programowania w\u0142asnych aplikacji, kt\u00f3re umo\u017cliwi\u0142yby wyj\u015bcie poza narz\u0119dzia definiowane w programach tworzonych przez innych.* W swoim wyst\u0105pieniu odnosz\u0119 si\u0119 do autorskiej eksperymentalnej aplikacji, nad kt\u00f3r\u0105 * Lev Manovich, Tylko software, z katalogu 14 Biennale Sztuki Medi\u00f3w Alternative Now pod redakcj\u0105 Piotra Krajewskiego i Violetty Kutlubasis-Krajewskiej \/ wydawca: The WRO ART CENTER \/ Wroc\u0142aw 2012 \/ ISBN: 978- 83-929186-4-6 \/ str. 82<\/p>\n [ENG] <\/strong>There is a lot of people fascinated by potentials given by 3d printing technology. Some of them perceive it mostly through the prism of devices which enables materializing almost any three dimentional shape. However, they are losing sight of the fact that the source of creative possibilities is not in a device as such. The true possibilities lie in software enabling not only to shape a digital model but also to manipulate its digital structure as a medium. In 2011 Lev Manovich in his essay \u201cThere is only software\u201d pointed out that the achieved results depend on functions which are made avaiable to users and indirectly impose and limit range of operations which can be performed. Manovich, by describing this state as a \u201cprison\u2013house\u201d of software, encourage to programming own aplications situated beyond tools and programs created by others.* * Lev Manovich, There is only software, from catalogue of 14th Media Art Biennale Alternative Now edited by Piotr Krajewski and Violetta Kutlubasis-Krajewska \/ publisher: The WRO ART CENTER \/ Wroc\u0142aw 2012 \/ ISBN: 978-83-929186-4-6 \/ page 22<\/p>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n\n\n\n","protected":false},"excerpt":{"rendered":" Adam ABEL dr hab., prof. ASP | PhD in Fine Arts, University ProfessorAkademia Sztuk Pi\u0119knych in. Eugeniusza Gepperta we Wroc\u0142awiu | The Eugeniusz GeppertAcademy of Art and Design in Wroclaw Kreatywne kodowanie \u2013 transformacje medium | Creative coding \u2013 transformations of the medium [PL] Adam Abel jest artyst\u0105 multimedialnym, absolwentem Wydzia\u0142u Ceramiki i Szk\u0142a wroc\u0142awskiej […]<\/p>\n","protected":false},"author":1,"featured_media":92,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[27,38,37,26,33,40,36,35,39,34],"project_tag":[22,23,21,12,17,25,20,19,24,18],"class_list":["post-320","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-3d-printing","project_category-ceramic-art","project_category-creative-coding","project_category-druk-3d","project_category-kreatywne-kodowanie","project_category-parametric-design","project_category-projektowanie-parametryczne","project_category-rzezba","project_category-sculpture","project_category-sztuka-ceramiki","project_tag-3d-print","project_tag-ceramic-art","project_tag-creative-coding","project_tag-druk-3d","project_tag-kreatywne-kodowanie","project_tag-parametric-design","project_tag-projektowanie-parametryczne","project_tag-rzezba","project_tag-sculpture","project_tag-sztuka-ceramiki"],"_links":{"self":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project\/320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":5,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project\/320\/revisions"}],"predecessor-version":[{"id":335,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project\/320\/revisions\/335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/media\/92"}],"wp:attachment":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/media?parent=320"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project_category?post=320"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/project_tag?post=320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Akademia Sztuk Pi\u0119knych in. Eugeniusza Gepperta we Wroc\u0142awiu | The Eugeniusz Geppert<\/strong>
Academy of Art and Design in Wroclaw<\/strong><\/p>\n<\/h4>\n
Kreatywne kodowanie \u2013 transformacje medium | Creative coding \u2013 transformations of <\/strong>the medium<\/strong><\/span><\/h4>\n
W latach 2012-2020 kierowa\u0142 Katedr\u0105 Dzia\u0142a\u0144 Interdyscyplinarnych w Ceramice i Szkle, a obecnie jest profesorem wroc\u0142awskiej ASP, gdzie prowadzi Pracowni\u0119 Dzia\u0142a\u0144 Intermedialnych w Ceramice. Aktualnie jest aktywnie zaanga\u017cowany w rozw\u00f3j Eksperymentalnego Laboratorium Fabrykacji 3D na macierzystym wydziale oraz w opracowywanie metod tw\u00f3rczego wykorzystywania narz\u0119dzi cyfrowych i druku 3d.
W ostatnich latach eksperymentuje z programowaniem w\u0142asnej aplikacji komputerowej wspomagaj\u0105cej projektowanie. Jego prace prezentowane by\u0142y na ponad 100 krajowych i mi\u0119dzynarodowych wystawach, a tworzone przez niego animacje i kr\u00f3tkie formy filmowe zaistnia\u0142y na licznych pokazach i festiwalach. Realizacje Adama Abla s\u0105 obecne w polskich i mi\u0119dzynarodowych kolekcjach sztuki wsp\u00f3\u0142czesnej mi\u0119dzy innymi: Ichon World Ceramic Center, Kyonggi Province, Korea Po\u0142udniowa; Centrum Sztuki WRO, Wroc\u0142aw; Dolno\u015bl\u0105skie Towarzystwo Zach\u0119ty Sztuk Pi\u0119knych, Museo Internazionale delle Ceramiche, Faenza, W\u0142ochy.<\/p>\n
Between 2005 and 2006 he worked in South Korea where he held a position of Professor in the Faculty of Ceramics at the Kyng Hee University. He was the Head of the Department of Interdisciplinary Activities at the Faculty of Ceramics and Glass at the Academy of Art and Design in Wroclaw in the years 2012-2020. Currently he is a professor at the wroclaw Academy and runs the Studio of Intermedia Activities in Ceramics. He’s been actively involved in the development of the Experimental Laboratory of 3D Fabrication at his home faculty and in developing methods of creative use of digital tools and 3D printing in ceramics. In recent years, he has been experimenting with creating his own computer applications supporting the design process.
His works have been presented at over 100 national and international exhibitions and his animations and short film forms have appeared at numerous shows and festivals. Adam Abel’s works are present in national and international collections of contemporary art including: Ichon World Ceramic Center, Kyonggi Province, South Korea; The WRO Art Center, Poland; Zach\u0119ta Lower Silesia Fine Arts Association, Poland; Museo Internazionale delle Ceramiche, Faenza, Italy.<\/p>[\/et_pb_accordion_item][et_pb_accordion_item title=”Abstrakt” _builder_version=”4.17.0″ _module_preset=”default” global_colors_info=”{}” open=”off”]
pracuj\u0119 od kilku lat. Budowana jest ona cz\u0119\u015bciowo intuicyjnie na platformie programistycznej Processing i rozwin\u0119\u0142a si\u0119 z pomys\u0142u stworzenia wirtualnej interaktywnej formy o transformuj\u0105cym si\u0119 uk\u0142adzie i strukturze. Jej pierwotna posta\u0107 wyewoluowa\u0142a w stron\u0119 komputerowego narz\u0119dzia, wspomagaj\u0105cego algorytmiczne projektowanie moich prac. Dla zobrazowania uzyskanych rezultat\u00f3w przedstawiam przyk\u0142ady tych obiekt\u00f3w wykonanych w technologii druku 3D, kt\u00f3rych cyfrowa anatomia opiera si\u0119 na opracowanym przeze mnie kodzie. Dzi\u0119ki niemu operuj\u0119 bazow\u0105 struktur\u0105 cyfrowego medium, kt\u00f3re kszta\u0142tuje specyficzn\u0105 estetyk\u0119 formy, a zastosowanie technologii druku o du\u017cej precyzji ods\u0142ania \u015blady tworz\u0105cych j\u0105 algorytm\u00f3w.
Odnosz\u0119 si\u0119 r\u00f3wnie\u017c do materia\u0142u jako istotnego elementu wp\u0142ywaj\u0105cego na estetyczny wyraz prac. W tym aspekcie zwracam uwag\u0119 na kwestie prze\u0142amywania ogranicze\u0144 wynikaj\u0105cych ze stosowania narz\u0119dzi cyfrowych w starciu z materi\u0105 ceramiczn\u0105 oraz ich wp\u0142ywu na wsp\u00f3\u0142czesn\u0105 sztuk\u0119 ceramiki.<\/p>\n
Following this idea I am refering to my experimental application I’ve been developing over recent years.
It has been built, partialy intuitively, on the programming platform entitled Processing. It began with the concept of creating a virtual form where directions and structures would have been interactivly changed by users. Its original appearance has evolved toward personal app aided algorithmic design of my works.
To illustrate the achieved results I am presenting examples of those 3D printed objects in which a digital anatomy relies on the personally drafted code. Thanks to that I am able to manipulate the basic structure of the digital medium. It allows to generate characteristic aesthetics and reveals the traces of algorithms that make it up.
I am also refering to the material as a one of the substancial factors affecting the aesthetic expression of my works. In this regard I am pointing out the issue of overcoming the limitations of ceramic matter in confrontation with digital tools and their influence on the contemporary art of ceramics.<\/p>\n