{"id":35,"date":"2022-04-13T12:42:30","date_gmt":"2022-04-13T12:42:30","guid":{"rendered":"https:\/\/artmediation.art\/?page_id=35"},"modified":"2022-04-22T22:04:54","modified_gmt":"2022-04-22T22:04:54","slug":"international-conference-interaction-and-creation-3d-printing-as-a-tool-for-creative-solutions-in-visual-arts-contexts","status":"publish","type":"page","link":"https:\/\/artmediation.art\/index.php\/international-conference-interaction-and-creation-3d-printing-as-a-tool-for-creative-solutions-in-visual-arts-contexts\/","title":{"rendered":"Konferencja mi\u0119dzynarodowa: INTERAKCJA I KREACJA. DRUK 3D JAKO NARZE\u0328DZIE KREATYWNYCH ROZWIA\u0328ZAN\u0301 W SZTUKACH WIZUALNYCH \u2013 KONTEKSTY |  International conference: INTERACTION AND CREATION. 3D PRINTING AS A TOOL FOR CREATIVE SOLUTIONS IN VISUAL ARTS \u2013 CONTEXTS"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_post_title text_color=&#8221;light&#8221; text_background=&#8221;on&#8221; text_bg_color=&#8221;#00ccff&#8221; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;|700||on|||||&#8221; meta_font_size=&#8221;16px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_post_title][et_pb_accordion _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][et_pb_accordion_item title=&#8221;PATRONAT HONOROWY | HONORARY PATRONAGE&#8221; open=&#8221;on&#8221; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><strong>Jego Magnificencja<\/strong><br \/>Rektor Akademii Sztuk Pi\u0119knych im. Eugeniusza Gepperta we Wroc\u0142awiu<br \/><strong>His Magnificence<\/strong><br \/>Rector of the Eugeniusz Geppert Academy of Art and Design<\/p>\n<p><strong>prof. dr hab. | Full Professor\u00a0Wojciech PUKOCZ<\/strong><\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;RADA NAUKOWA | SCIENTIFIC COUNCIL&#8221; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; open=&#8221;off&#8221;]<\/p>\n<p><strong><\/strong><\/p>\n<p><strong>Prof. dr hab. | Full Professor Maciej MANIKOWSKI<\/strong><br \/>Uniwersytet Wroc\u0142awski, Wydzia\u0142 Nauk Spo\u0142ecznych Instytut Filozofii, Zak\u0142ad Antropologii Filozoficznej | University of Wroclaw, Faculty of Social Sciences, Institute of Philosophy,<br \/>Department of Philosophical Anthropology<br \/>Kierownik Pracowni Studi\u00f3w nad Religiami Instytutu Filozofii Uniwersytetu Wroc\u0142awskiego | Head of the Religious Studies Laboratory at the Institute of Philosophy at the University of Wroc\u0142aw<\/p>\n<p><strong>Professore | D. Sc. Eng. Arch., Associate Professor Antonino MARGAGLIOTTA<\/strong><br \/>Universit\u00e0 degli Studi di Palermo, Facolt\u00e0 di Ingegneria, Dipartimento di Architettura | The University of Palermo, Faculty of Engineering, Department of Architecture<br \/>Profesor kompozycji architektonicznej i urbanistycznej na Uniwersytecie w Palermo, koordynator studi\u00f3w magisterskich w zakresie in\u017cynierii budowlanej \u2013 architektura | Professor of Architectural and Urban Composition at the University of Palermo, coordinator<br \/>of the Degree Course in Building Engineering \u2013 Architecture<\/p>\n<p><strong>dr hab., prof ASP | PhD (Fine Arts) Hab., University Professor Grzegorz NIEMYJSKI<\/strong><br \/>Akademia Sztuk Pi\u0119knych in. Eugeniusza Gepperta we Wroc\u0142awiu, Wydzia\u0142 Rze\u017aby i Mediacji Sztuki | The Eugeniusz Geppert Academy of Art and Design in Wroclaw, Faculty of Sculpture and Art Mediation<br \/>Dziekan Wydzia\u0142u Rze\u017aby i Mediacji Sztuki | Head of the Faculty of Sculpture and Art Mediation<\/p>\n<p><strong>dr hab. in\u017c. arch., prof. PP | D. Sc. Eng. Arch., University Professor Dominika PAZDER<\/strong><br \/>Politechnika Pozna\u0144ska, Wydzia\u0142 Architektury, Instytut Architektury i Planowania Przestrzennego | The Poznan University of Technology, Faculty of Architecture, Institute of<br \/>Architecture and Urban Planning<br \/>Prowadzi badania nad odnow\u0105 obszar\u00f3w \u015br\u00f3dmiejskich, powi\u0105zaniami aspekt\u00f3w przestrzennych i spo\u0142ecznych rewitalizacji, a tak\u017ce innowacyjnymi metodami waloryzacji<br \/>przestrzeni miejskiej | Conducts research on the renewal of inner-city areas, spatial and social aspects of city space regeneration, as well as the search for innovative methods of<br \/>urban space valuation.<\/p>\n<p><strong>dr hab., prof ASP | PhD (Fine Arts) Hab., University Professor Micha\u0142 STASZCZAK<\/strong><br \/>Akademia Sztuk Pi\u0119knych in. Eugeniusza Gepperta we Wroc\u0142awiu, Wydzia\u0142 Rze\u017aby i Mediacji Sztuki, Katedra Technik Rze\u017abiarskich | The Eugeniusz Geppert Academy of Art and Design in Wroclaw, Faculty of Sculpture and Art Mediation, Department of Sculptural Techniques<br \/>Prorektor ds. wsp\u00f3\u0142pracy z zagranic\u0105 i promocji | Vice-Rector for Foreign Cooperation and Promotion<\/p>\n<p><strong>Professor titular d&#8217;Universitat | Full Professor Albert VALERA GARCIA<\/strong><br \/>Universitat de Barcelona, Facultat de Belles Arts, Departament d\u2019Arts Visuals i Disseny | University of Barcelona, Faculty of Fine Arts, Department of Visual Arts and Design<br \/>Prowadzi badania proces\u00f3w artystycznych i nowych technologii | Conducts research into artistic processes and new technologies<\/p>\n<p><strong>Professora agregada (SHP) | PhD (Fine Arts), Associate Professor \u00c0ngels VILADOMIU<\/strong><br \/>Universitat de Barcelona, Facultat de Belles Arts, Departament d\u2019Arts Visuals i Disseny | University of Barcelona, Faculty of Fine Arts, Department of Visual Arts and Design<br \/>Prowadzi badania proces\u00f3w artystycznych i nowych technologii | Conducts research into artistic processes and new technologies<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;KOMITET ORGANIZACYJNY | ORGANIZING COMMITTEE&#8221; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; open=&#8221;off&#8221;]<\/p>\n<p><strong>dr | PhD (Fine Arts) Monika ALEKSANDROWICZ<\/strong><br \/>Akademia Sztuk Pi\u0119knych in. Eugeniusza Gepperta we Wroc\u0142awiu, Wydzia\u0142 Rze\u017aby i Mediacji Sztuki, Katedra Mediacji | The Eugeniusz Geppert Academy of Art and Design in Wroclaw,<br \/>Faculty of Sculpture and Art Mediation, Department of Art Mediation Kierownik Katedry Mediacji Sztuki | Head of the Department of the Art Mediation<br \/><strong>dr hab. | PhD (Fine Arts) Hab. Ma\u0142gorzata KACZMARSKA<\/strong><br \/>Akademia Sztuk Pi\u0119knych in. Eugeniusza Gepperta we Wroc\u0142awiu, Wydzia\u0142 Rze\u017aby i Mediacji Sztuki, Katedra Mediacji | The Eugeniusz Geppert Academy of Art and Design in Wroclaw,<br \/>Faculty of Sculpture and Art Mediation, Department of Art Mediation Prowadzi badania procesu tw\u00f3rczego i kontekstu przestrzennego dzie\u0142a sztuki | Conducts research on the creative process and the spatial context of a work of art<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;PARTNERZY | PARTNERS&#8221; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; open=&#8221;off&#8221;]<\/p>\n<p>3dArtech<br \/>ARTE\u00cfA<br \/>CadXpert | Systemy Druku 3D<br \/>Dolno\u015bl\u0105ski Inkubator Druku 3D we Wroc\u0142awiu<\/p>\n<p>[\/et_pb_accordion_item][\/et_pb_accordion][et_pb_text _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: justify;\">IDEA<br \/>Art and science can be seen as complementary methods of interpreting the world, and in their mutual relations they can also serve as a cognitive tool. Artistic pursuits at the crossroads of various scientific disciplines, and often in cooperation with representatives of technical, natural, social and human sciences, touch upon problems related to the challenges of modern civilization. Contemporary art often has a mediating character \u2013 between scientific investigation, an experiment generated by new technologies, and social reception and adaptation. Creative use of technical media, when dealing with an artistic process of investigative nature, has an impact on expanding the boundaries of human perception, experience, and knowledge.<br \/>The starting point for this conference\u2019s considerations is the growing use of 3D printing technology in artistic practice. Artists quickly adapt the newly emerging possibilities by using them directly or by modifying the tool \u2013 then, the field of the experiment can lie in either machine, or matter, or software. Artists from various fields of fine arts resort to 3D printing technology. Oftentimes this very method, creatively used by the artist, is the best solution in research projects of significant practical importance.<br \/>One of the aspects related to the digital recording of a work is its authenticity and unambiguous attribution of the author\u2019s copyrights, coupled with the possibility of accessing the work on the Internet, displaying and collecting it in either the digital format or, after printing, in the analogue format. Property rights require similar unambiguity.<br \/>The option of ending the process of the work\u2019s creation at the digital stage, without affecting the potential analogue effect (because, ultimately, the work may or may not be materialized) is of great importance in the context of an ecological approach to the creation and circulation of art, and it also has an ethical dimension. The aspect of production and overproduction is also increasingly discussed in the circles of experts dealing with contemporary art.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jego MagnificencjaRektor Akademii Sztuk Pi\u0119knych im. Eugeniusza Gepperta we Wroc\u0142awiuHis MagnificenceRector of the Eugeniusz Geppert Academy of Art and Design prof. dr hab. | Full Professor\u00a0Wojciech PUKOCZ Prof. dr hab. | Full Professor Maciej MANIKOWSKIUniwersytet Wroc\u0142awski, Wydzia\u0142 Nauk Spo\u0142ecznych Instytut Filozofii, Zak\u0142ad Antropologii Filozoficznej | University of Wroclaw, Faculty of Social Sciences, Institute of Philosophy,Department [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-35","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/pages\/35","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/comments?post=35"}],"version-history":[{"count":25,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/pages\/35\/revisions"}],"predecessor-version":[{"id":598,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/pages\/35\/revisions\/598"}],"wp:attachment":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/media?parent=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}