{"id":154,"date":"2022-04-14T08:48:28","date_gmt":"2022-04-14T08:48:28","guid":{"rendered":"https:\/\/artmediation.art\/?page_id=154"},"modified":"2022-04-22T22:31:39","modified_gmt":"2022-04-22T22:31:39","slug":"katarzyna-gemborys-lukasz-szatanek","status":"publish","type":"page","link":"https:\/\/artmediation.art\/index.php\/katarzyna-gemborys-lukasz-szatanek\/","title":{"rendered":"Katarzyna GEMBORYS &#038; \u0141ukasz SZATANEK"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;157,158&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Katarzyna GEMBORYS &amp; \u0141ukasz SZATANEK<\/h2>\n<p>dr | PhD (Fine Arts), <br \/>dr inz\u0307. arch. | D. Sc. Eng. Arch.<br \/><strong>Akademia Sztuk Pi\u0119knych im. Eugeniusza Gepperta we Wroc\u0142awiu | The Eugeniusz Geppert Academy of Art and Design in Wroc\u0142aw<\/strong><br \/><strong>Pan\u0301stwowa Uczelnia Angelusa Silesiusa w Wa\u0142brzychu | Angelus Silesius State University in Wa\u0142brzych<\/strong><\/p>\n<h4><\/h4>\n<h4><strong>Dzia\u0142ania multimedialne \u2013 po\u0142a\u0328czenie szk\u0142a formowanego re\u0328cznie na palniku gazowym z drukiem 3D | Multimedia activities \u2013 a combination of hand-formed glass on a gas burner with 3D printing<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_accordion _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_accordion_item title=&#8221;BIO Katarzyna GEMBORYS &#8221; open=&#8221;on&#8221; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>[PL]<\/strong> Katarzyna Gemborys \u2013 urodzona we Wroc\u0142awiu. Absolwentka wroc\u0142awskiej Akademii Sztuk Pie\u0328knych im. E. Gepperta pracowni prof. Z. Horbowego oraz prof. M. Dajewskiej (2008 r.). 2016 r uzyska\u0142a stopien\u0301 doktora sztuk plastycznych w dyscyplinie sztuk projektowych &#8211; promotor prof. B. Zworska \u2013 Raziuk. Do 2017 r. asystent w Pracowni Podstaw Projektowania na Wydziale Architektury Wne\u0328trz i Wzornictwa pod kierunkiem prof. U. Smaza \u2013 Gralak, od 2017r. asystent prof. D. Mileckiej w Pracowni S\u0142owa i Obrazu, obecnie wspo\u0301\u0142prowadzi wspomniana\u0328 pracownie\u0328 z as. L. Len\u0301.<\/p>\n<p><strong>Wybrane wystawy indywidualne:<\/strong><br \/>&#8211; 2017 &#8211; Leuchtkraft biodynamischer Lichtmodule, Galeria Spiegel, Minden, Niemcy,<br \/>&#8211; 2019 &#8211; Zda\/erzenie, Galeria OKO, Centrum, Sztuki w O\u0142awie,<br \/>&#8211; 2021 &#8211; Przenikania \/ Na pograniczu snu i jawy, pokaz szklanych obiekto\u0301w biz\u0307uteryjnych wraz ze zdje\u0328ciami fotograf Lila Len\u0301, Synagoga pod Bia\u0142ym Bocianem, Wroc\u0142aw,<\/p>\n<p><strong>Wybrane wystawy zbiorowe i konkursy:<\/strong><br \/>&#8211; 2020 &#8211; Contemporary Fine Art, ArtNumber23, Londyn, Wielka Brytania,<br \/>&#8211; 2020 &#8211; laureat mie\u0328dzynarodowego konkursu The Contemporary Jewelry Exchange 2020, &#8211; 2020 &#8211; Zmys\u0142, wystawa Zwia\u0328zku Artysto\u0301w Szk\u0142a, kurator wystawy, Galeria Lipowa3, Krako\u0301w,<br \/>&#8211; 2021 &#8211; G\u0142os Kobiet, Galeria Yes, Poznan\u0301,<br \/>&#8211; 25.11.2021 &#8211; 14.01.2022 &#8211; G\u0142os Kobiet, Galeria RING, Legnica,<br \/>&#8211; 26.11.2021 &#8211; 29.01.2022 &#8211; AGATart, pokonkursowa wystawa, Galeria YES, Poznan\u0301,<br \/>&#8211; 11.12.2021 &#8211; 29.01.2022 &#8211; Pa\u0142ac Koloro\u0301w, wystawa i premiera wydawnictwa \u2013 albumu. Mie\u0328dzy wierszami ksie\u0328garnio-kawiarnia, Szczecin.<\/p>\n<p style=\"text-align: justify;\"><strong>[ENG]\u00a0<\/strong>Katarzyna Gemborys &#8211; born in Wroc\u0142aw. A graduate of The Eugeniusz Geppert Academy of Fine Arts and Design in Wroclaw, in the studio of prof. Z. Horbowy and prof. M. Dajewska (2008). 2016, she obtained a doctorate in arts in the discipline of design arts &#8211; supervisor prof. B. Zworska &#8211; Raziuk. Until 2017, an assistant at the Design Fundamentals Studio at the Faculty of Interior Architecture and Design under the supervision of prof. U. Smaza &#8211; Gralak, from 2017 assistant prof. D. Milecka at the Word and Image Studio at the Department of Art Mediation, currently she co-runs the aforementioned studio with ac. L. Len\u0301.<\/p>\n<p><strong>Selected individual exhibitions:<\/strong><br \/>&#8211; 2017 &#8211; Leuchtkraft biodynamischer Lichtmodule, Galeria Spiegel, Minden, Germany,<br \/>&#8211; 2019 &#8211; Zda \/ erzenie, OKO Gallery, Art Center in O\u0142awa,<br \/>&#8211; 2021 &#8211; Przenikania &#8211; On the border of sleep and wakefulness, display of glass jewellery with photos by photographer Lila Len\u0301, White Stork Synagogue, Wroc\u0142aw,<\/p>\n<p><strong>Selected group exhibitions and competitions:<\/strong><br \/>&#8211; 2020 &#8211; Contemporary Fine Art, ArtNumber23, London, Great Britain,<br \/>&#8211; 2020 &#8211; winner of the international competition The Contemporary Jewelry Exchange 2020,<br \/>&#8211; 2020 &#8211; Sense, an exhibition of the Association of Glass Artists, exhibition curator, Galeria Lipowa3, Krak\u00f3w,<br \/>&#8211; 2021 &#8211; Voice of Women, YES Gallery, Poznan\u0301,<br \/>&#8211; 26.11.2021 &#8211; 29.01.2022 &#8211; AGATart, post-competition exhibition, YES Gallery, Poznan\u0301,<br \/>&#8211; 11\/12\/2021 &#8211; 01\/29\/2022 &#8211; The Palace of Colors, exhibition and the premiere of the publication &#8211; album. Between the Lines &#8211; a bookstore and cafe, Szczecin<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;BIO \u0141ukasz SZATANEK&#8221; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; open=&#8221;off&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>[PL]\u00a0<\/strong>\u0141ukasz Szatanek jest wyk\u0142adowca\u0328 na kierunku architektura wne\u0328trz na Pan\u0301stwowej Uczelni Angelusa Silesiusa. Doktorat obroni\u0142 w 2013 roku na Politechnice S\u0301la\u0328skiej. Jego zainteresowania naukowe wia\u0328z\u0307a\u0328 sie\u0328 z historia\u0328 architektury i badaniami architektonicznymi. Opro\u0301cz tego prowadzi w\u0142asna\u0328 pracownie\u0328 architektoniczna\u0328. W swojej dzia\u0142alnos\u0301ci duz\u0307a\u0328 czes\u0301c\u0301 czasu pos\u0301wie\u0328ca obiektom zabytkowym w tym sakralnym. Prowadzi takz\u0307e ro\u0301z\u0307ne dzia\u0142ania na polu nowych technologii (druk 3D, wirtualna rzeczywistos\u0301c\u0301). Z zami\u0142owania fotografuje i majsterkuje. Wybrane artyku\u0142y to:<\/p>\n<p>&#8211; Jamrozik \u2013 Szatanek M., Szatanek \u0141., Zmiany funkcjonalno \u2013 przestrzenne w obiektach s\u0142uz\u0307by zdrowia w Polsce w zwia\u0328zku z wysta\u0328pieniem pandemii koronawirusa (COVID-19), red. Ste\u0328pniak K., Pan\u0301stwo i prawo w czasach COVID-19, Wyd. Think&amp;Make, Warszawa 2020.<\/p>\n<p>&#8211; Szatanek \u0141., Co pozosta\u0142o z nowicjatu Karmelito\u0301w przy ulicy Garbarskiej w Krakowie, Krzysztofory, t.36, Muzeum Historyczne Miasta Krakowa, 2018, ss. 75 &#8211; 84.\u00a0Nr ORCID: 0000-0001-5456-976X<\/p>\n<p style=\"text-align: justify;\"><strong>[ENG]\u00a0<\/strong>\u0141ukasz Szatanek is a lecturer in the field of interior design at the Angelus Silesius State University. He defended his doctorate in 2013 at the Silesian University of Technology. His scientific interests are related to the history of architecture and architectural research. In addition, he runs his own architectural studio. In his activity, he devotes a large part of his time to historic buildings, including sacred ones. It also conducts various activities in the field of new technologies (3D printing, virtual reality). He is passionate about photography and DIY. The selected articles are:<\/p>\n<p>&#8211; Jamrozik &#8211; Szatanek M., Szatanek \u0141., Zmiany funkcjonalno \u2013 przestrzenne w obiektach s\u0142uz\u0307by zdrowia w Polsce w zwia\u0328zku z wysta\u0328pieniem pandemii koronawirusa (COVID-19) [Functional and spatial changes in healthcare facilities in Poland in connection with the occurrence of the coronavirus pandemic (COVID-19)], ed. St\u0119pniak K., State and law in the times of COVID-19, Ed. Think &amp; Make, Warsaw 2020.<\/p>\n<p>&#8211; Szatanek \u0141., Co pozosta\u0142o z nowicjatu Karmelito\u0301w przy ulicy Garbarskiej w Krakowie, Krzysztofory [What Remains of the Carmelite Novitiate at Garbarska Street in Krakow, Krzysztofory], vol. 36, Historical Museum of the City of Krakow, 2018, pp. 75-84.\u00a0ORCID No.: 0000-0001-5456-976X<\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Abstrakt&#8221; _builder_version=&#8221;4.17.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; open=&#8221;off&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>[PL]\u00a0<\/strong>Spojrzenie na proces projektowy unikatowego dzie\u0142a, be\u0328da\u0328cego po\u0142a\u0328czeniem odmiennych materia\u0142o\u0301w oraz ro\u0301z\u0307nych postaw two\u0301rczych. Projektantka szk\u0142a, \u0142a\u0328cza\u0328ca kobiecos\u0301c\u0301 z natura\u0328 oraz architekt \u2013 historyk architektury, eksperymentuja\u0328cy z nowoczesnymi technologiami w swoim zawodzie. Sama rzez\u0301ba powsta\u0142a z re\u0328cznie formowanego szk\u0142a \u0142a\u0328czonego z komputerowo generowanym wydrukiem 3D. Organiczna forma szk\u0142a styka sie\u0328 z geometryczna\u0328 forma\u0328 polimerowa\u0328. Przeziernos\u0301c\u0301 spotyka sie\u0328 z ch\u0142odem ograniczenia. Tradycja i nowoczesnos\u0301c\u0301 widoczna jest w postawach i spojrzeniu two\u0301rco\u0301w. Wszystkie te aspekty zosta\u0142y przeanalizowane i ujarzmione w artykule.<\/p>\n<p style=\"text-align: justify;\"><strong>[ENG]\u00a0<\/strong>A look at the design process of a unique work, as a combination of different materials and different creative attitudes. A glass designer who combines femininity with nature, and an architect \u2013 architectural historian, experimenting with modern technologies in his profession. The sculpture itself was made of hand-formed glass combined with a computer-generated 3D printout. The organic form of glass meets the geometric shape of the polymer. Translucency meets the coolness of limitation. Tradition and modernity are visible in the attitudes and views of the creators. All these aspects have been analyzed and covered in the article.<\/p>\n<p>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Katarzyna GEMBORYS &amp; \u0141ukasz SZATANEK dr | PhD (Fine Arts), dr inz\u0307. arch. | D. Sc. Eng. Arch.Akademia Sztuk Pi\u0119knych im. Eugeniusza Gepperta we Wroc\u0142awiu | The Eugeniusz Geppert Academy of Art and Design in Wroc\u0142awPan\u0301stwowa Uczelnia Angelusa Silesiusa w Wa\u0142brzychu | Angelus Silesius State University in Wa\u0142brzych Dzia\u0142ania multimedialne \u2013 po\u0142a\u0328czenie szk\u0142a formowanego re\u0328cznie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-154","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/pages\/154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/comments?post=154"}],"version-history":[{"count":4,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/pages\/154\/revisions"}],"predecessor-version":[{"id":609,"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/pages\/154\/revisions\/609"}],"wp:attachment":[{"href":"https:\/\/artmediation.art\/index.php\/wp-json\/wp\/v2\/media?parent=154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}